Creating art begins for me when I locate thought and action as one.
The moments that most intrigue I are the times of deconstructing something, reconstructing it, and transforming it into something else. I enjoy constantly changing and experimenting with the endless possibilities of transmutations. This process is like a puzzle that does not have to be solved but takes many shapes. It could materialize as a multiple-layered surface containing different forms and textures. The work celebrates awkwardness and the inchoate, unexpected accidents moving as organic shapes on one hand and majestic harmony on the other.
Intuitive gestures are essential to the process that I am continually developing. I am attracted to the initial contact with any surface that leads to imperfection in things and forces me to destroy a surface to generate the emergence of an imperfect figure, icon, or anything that generates a dynamic construction.
Drawing is a vital tool for organizing my thoughts. I use an automatic drawing technique that allows subconscious elements to reveal themselves on and underneath any surface. This freestyle drawing technique allows me a genuine process of marking mental states.
Play, improvisation, and humor are crucial elements in my perception of my studio practice. When I am addressing an object or any issue, I question myself and keep searching for a peaceful environment to call a contemporary home.
